It is surprising how accurate the QWERTY key tigger hit process is. In our video example, the fight scene has repetitive rapid action that calls for dozens of sound effects to be placed within milliseconds. A game-changer and a complete time-saver. Each library sound comes with an embedded sync point that lets you drag the clip into your project, and it will automatically sync to your video project. Preset sync points are an essential part of the process and workflow. Packed With Over 20,000 SoundsĪudio Design Desk comes packed with a vast sound library, covering every kind of sound, hit, drone or musical element you could want – and if there’s a sound you can’t find or something specific to a project – it’s a cinch to import your own sounds. This intelligent approach to audio post-production provides a lightning-fast workflow for adding sound effects, foley, ambience, and music to your video sequence. Part sound library.Īudio Design Desk is a multi-award winning platform that lets you perform sound design on your QWERTY keyboard (or an external controller) as if it were an instrument – placing hits, rises, footsteps, punches, and gunshots to your project – all in real-time. But there is a solution.Įnter Audio Design Desk. Do these sounds require time-stretching, compression, fades? Auditioning alternative sounds for the same location requires additional channels and samples. Importing a film sequence, creating spot markers, labelling them (something descriptive to help find the type of sounds later), creating sounds – either from scratch or from sound libraries – meticulously placing and often layering at spot sync points. Post-production workflows are time-consuming.
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